A Study of East Sumba Textile Handwoven Animals “Hinggi” Motifs Ikat in terms of Dualism and Triple Patterns
- Erwin Ardianto Halim, Faculty of Decorative Arts, Silpakorn University, Bangkok, Thailand & Faculty of Arts and Design, Universitas Kristen Maranatha, Bandung, Indonesia, *Corresponding author, E-mail: ARDIANTOHALIM_E@su.ac.th
- Eakachat Joneurairatana, Faculty of Decorative Arts, Silpakorn University, Bangkok, Thailand
- Jirawat Vongphantuset, Faculty of Decorative Arts, Silpakorn University, Bangkok, Thailand
- Pairoj Jamuni, Faculty of Decorative Arts, Silpakorn University, Bangkok, Thailand
Abstract
This study investigated woven cloth motifs in terms of dualism and triple patterns. East Sumba's woven fabric is a traditional Sumba fabric that preserves and stores motifs and meanings from the community's perspective and is realized in physical forms through the medium of woven fabric. Every society has a culture, and the East Sumba people are no exception. Therefore, East Sumba people's beliefs are worldviews that pervade all aspects of their lives. This cultural viewpoint manifests itself not only in thoughts but also in behavior. East Sumba people developed actions that were notably visible in many items, particularly woven fabric motifs. East Sumba's woven fabric is a symbol of Indonesian identity. Sumba’s woven cloth motifs not only serve as aesthetics but also depict the strong interaction between humanity, nature, and East Sumba people's beliefs. This study was an in-depth examination of the message contained in the motifs on East Sumba's woven fabric using the concepts of dualism and triple patterns. East Sumba woven fabric documents not only cultural history but also advances cultural science in the world of interior design education, particularly for generation Z.
Keywords: Aesthetic, Woven fabric, Meaning, Motifs, East Sumba, Hinggi
DOI: 10.14456/jcsh.2023.5
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